Showing posts with label butterfly. Show all posts
Showing posts with label butterfly. Show all posts

Tuesday, September 9, 2014

Galena's Horseshoe Mound Public Art Project

"The Earth has Music for those who Listen." ~ George Santanaya
I was honored to be invited to create artwork to be on one of six benches installed at Horseshoe Mound Preserve in Galena, IL. The benches are made of indigenous oak and were crafted by area craftsman Larry Cording.

This beautiful scenic area is one of the highest points in Jo Daviess County.

The mission of the Jo Daviess Conservation Foundation is to conserve and enhance natural wildlife habitat, cultural heritage, agricultural character, and the scenic vistas of Jo Daviess County and the surrounding area for future generations.

My design was intended to show the geology of the area, so I depicted the Mound itself, the Galena (formerly Fever) River, a cardinal, a cone flower, monarch butterfly, a tree frog, snail, bumble bee, a grasshopper and dragonfly in an early autumn landscape painted in a whimsical style. This acrylic painting on wood was outside of my comfort zone, but I had fun with it. My first public art project.

Looking forward to seeing all of the art benches at the grand opening at the end of September, 2014. 


Paleolithic snail rendering, this snail only lives in the driftless area.

Galena River from a reference photo a tourist took from a hot air balloon!

Tuesday, August 19, 2014

"Dear Trixie"

"Dear Trixie" posthumous portrait of our lovely friend Lisa Hammer, pen name Trixie Kitsch,
29 x 22" mixed media


Lisa was kind and generous, a talented artist and writer, she had a biting sense of humor
and a heart of gold. She saw through our veneer and loved our souls.
The world lost a great woman at Valentine's week, 2014.

Farewell Dear Trixie, this world was never meant for one as beautiful as you. 




Monday, March 4, 2013

"Brain Storm" Brain Blog, Part 2


"To experience peace does not mean that your life is always blissful. It means you are capable of tapping into a blissful state of mind amidst the normal chaos of a hectic life."  

 

With my employer, nature photographer Thomas Mangelsen and Peter Fraterdeus, 
Galena, October 2012, photo by Tracey Russett

Boxing Day – I had a partial seizure Dec 26, 2012 at about 9pm in Galena, Illinos. 

I was at home after a very stressful day at work at the Mangelsen Gallery, and making Alu Gobi – cauliflower and potato curry with rice and waiting for my companion Peter Fraterdeus to return from his letterpress studio in Dubuque. After he arrived we shared notes about our day and we were waiting for the curry to cook down a bit. I remarked a couple of times that I was having an odd feeling, kind of déjà vu – but I continued to stir the pot.

Suddenly I felt very strange – I was stirring the pot but I knew I was not really stirring, the motion of stirring was there but I was staring off into space and the spoon was not really down in the curry – and I was trying to tell Peter that something was wrong but I was not able to speak. He was saying something to me but I could not reply, and then he noticed that something was very wrong. I became suddenly extremely weak and dropped the spoon into the curry and grabbed the oven door handle – Peter held me and I slumped into him and he helped me to a chair but I did not even have the strength to sit. He helped me to the floor, got me a blanket and grabbed the phone to call 911. I kept thinking “No – don’t call the ambulance – I can’t afford this right now!” but then thinking “What is wrong with me – am I having a heart attack? Am I having a stroke? I think Peter MUST call for help – he is doing the right thing to call - why can’t I talk to him – I want to say something but only one word comes out at a time.” It was like my mind was in overdrive but my body was not fully connected or engaged and had its own agenda.  

By the time the paramedics arrived I was having spasms in my arms – worse on the left side - but still was thinking quite lucidly. The paramedic gave me oxygen and took my vitals and assured me that they were normal. As he asked me questions I was able to respond but the words came slow and brief. The paramedics brought in a chair stretcher and took me out the front door and down the tilted, steep and icy front steps of Peter’s front yard on a hill to the waiting ambulance. Even at the time I saw the humor in the situation and I felt quite calm as the paramedics struggled to get me down the steps and then worried about how they would get me into the ambulance parked uphill. They commented to each other that if they opened both of the ambulance's back doors, the inside stretcher would fall out and race down the street! So they finally asked me if they supported me I could climb up into the ambulance – how strange that they did not park facing DOWN hill – they live and work in hilly Galena every day! I was still weak but they helped me up inside. My first ambulance ride – pretty bizarre – I watched as we passed all the traffic lights, normally so familiar to me, but now seen while looking up, to the nearby Midwest Medical Center. Peter and my best friend Tracey Russett were with me at the Emergency Room, such a great comfort to me!

The ER staff took blood, did a chest xray, started an IV and I recall being unable to keep my annoyance in check at the pain of the needles – normally I would grin and bear it but I was quite vocal about my pain. I was given something to calm me down. I was getting freaked out because I did not know what was happening to me and was getting spasms in my arms and these were spreading to muscles in other parts of my body. My jaw was clenching until it ached and I felt chilled to the bone. I was given a CT scan and I don’t recall having the test, but I do recall that I was moved from one stretcher to another. The scan showed a 3 cm meningioma brain tumor in the right fronto-parietal parasagittal region, between the frontal and parietal lobes, along the important large sagittal sinus vein that runs between the right and left lobe from the front to the back of the brain. These tumors grow from the meninges - the covering of the brain - are most often found in women and are usually benign.

 
 Above are poor photos of creased print-outs of CT or MRI images of my brain, 
taken December 26 and 27, 2012. The top image was taken before contrast dye was injected. 
The scans are reversed, so the tumor was actually in my right brain.


The doctor on call at the medical center informed me that the “golf ball sized tumor” was probably not related at all to the incident that sent me to the ER – that it could have been there for decades unnoticed and that I could have it for the rest of my life without having any trouble. He sent me home that night with literature on panic attacks plus two sleeping pills in case I had trouble sleeping. I was told to come back the next day for an MRI. I was able to walk back up the stairs at home that night under my own power, and had two helpings of the rice and curry! I felt fine!

Later my neurosurgeon told me I had actually had classic partial seizure symptoms that should have been recognized, and any panic symptoms came from my freaking out because I was having the first significant seizure of my life. The partial seizure was definitely caused by the meningioma and this is a typical way that the tumor makes itself known. The seizure was really scary and I hope to never have another – I never heard of “partial seizures” before, so I did not have a clue what was happening to me. Looking back on it now, it was almost like a shamanic or out of body experience. The feeling of déjà vu I had before the seizure was what is known as an aura. I want to think about that feeling more and use it in my art. Below is a link to share information about partial seizures, often misdiagnosed and misunderstood.


I returned to the medical center for the MRI the following day and I found I don’t really mind the scan, I kind of enjoy the “house music” beat. I can often easily put myself into a meditative state and first I meditated but my thoughts flooded back and I found tears running down the sides of my face as I lay in the machine thinking about the past two years. This was  just two days past Christmas and I longed for my kids to be near me, I felt so alone but I did not want to tell them about this incident. I still was under the impression I had had a panic attack and did not want anyone to know about it because of the stigma that some people attach to such things. 

My nurse-practitioner, Margaret Dittmar, called to discuss the results with me. She sent me copies of the MRI and CT scans which I found fascinating, although it was quite a shock to see the size of that growth in my head that had been there for some time without my ever knowing. Margaret referred me to a neurosurgeon giving me options to go for treatment in either Iowa City, Chicago, or the University of Wisconsin hospital at Madison. My first thought was to go to Chicago since I lived most of my life there and still have extended family in the area, but since I thought I may be put on watch and wait I might not want to inform my mom of the condition unless surgery became inevitable. Since Madison is closest to Galena, I instead asked to see a surgeon at UW. The university chose Dr. Robert Dempsey as the best fit for my condition and how fortunate for me that I was placed in the hands of the very best, the head of the neurosurgery department at the University and a very kind and gentle man of spirit. My first visit to Dr. Dempsey was on Wednesday January 16, 2013. It turns out I have a friend whose husband was operated on by Dr. Dempsey several times and had rave reviews for him. Also, our Chicago area dentist who has been a lifelong family friend also knows Dr. Dempsey because their wives were roommates in college! 


It was decided by the doctor that resection of the tumor was needed. I asked if I would not be a good candidate for watch and wait, but Dr. Dempsey said that in his opinion the tumor had already remained too long and was already affecting my motor skills and vision on the left side. It was not clear if my depression or any other personality changes could have been caused by the slow growing tumor. The doctor apologized that my handwriting would not improve post surgery - darn! I did shed a few tears once I knew I would have to have a craniotomy on February 8, 2013 - mostly because I did not want to have to tell my mother about it. In the end Mom was as strong as always, and she was also grateful that I had such a great surgeon, and an Irishman too!

The doctor prescribed Keppra to control and prevent seizures for before and after surgery. These were difficult to adjust to at first, making me very fatigued. After a week or so of taking the medicine I felt stronger and also realized that I must have been having minor partial seizures for a while because I no longer had spasms or stabbing pains in my left arm. 

A high frequency MRI at University of Wisconsin was scheduled for January 23, 2013, so that the doctor could better map out his plan for surgery. So we returned to Madison the following week. This MRI was felt more deeply than the first – I could feel the scan go through particular areas of my head – I felt the waves go through my eyes and I could tell when the scans exited out the top or one side of my head and past my ear. It was not painful, but a definite vibrating sensation. I am really curious about the MRI images and how my head looks inside, and spent more time researching the workings of the physical brain, what areas affect different parts of the body, language skills, vision, etc. I watched videos like the TED talk by Neuroanatomist Jill Bolte Taylor about how it feels to have a stroke. I am more aware of the power of the right brain. What an amazing organ, our beautiful brain! I mourned about the brain injury that had already taken place without my knowledge, I fretted about a possible loss of vision or creativity, but at the same time I was grateful that the growth was found and was curable, and most likely benign!

Feb 2, 2013 My post on the Meningioma Mommas Facebook Group: “My Meningioma has been throbbing tonight - he must know he will be history by this time next week. Bye bye baby! ;-) I don't recall having this specific sensation before I was diagnosed - but now, knowing its location - there is no doubt that is where that "beat" is coming from. I just hope M has not been the source of my creativity spurt of the past few years because my art is going to suffer if so. I feel there have been some deficits recently too. I expect healing to be slow and will try to be patient with myself. The spongy brain will slowly grow back into the space where the tumor once sat, but there will be residual swelling post op and the damage from compressed blood vessels will repair more or less over time, although some damage will never reverse.” 

I am working on one more blog post about the surgery and recovery. I will be on disability for two months post-op. There is still time to give to the Alice Recovery Fund and there will also be an art auction fundraiser in Galena, Illinois at Miss Kitty's Grape Escape! Thanks to Joe and Lydia at Pinder Pottery. Thank you to all for the many ways you have shown your love and support! It has helped my state of mind and healing - I am so grateful!

Time to call on the Butterfly Muse! 
photo and concept by Bob Lieberman for the Artists of Galena photo project 2013

Saturday, September 12, 2009

The Butterfly Effect



Portrait of my artist friend Martin Soto, chanting in his “cocoon” meditation room at his studio at Zhou B Art Center, based on the theory that the flapping of a butterfly’s wings can cause a hurricane on the other side of the world. The interior life can have profound effects on the world as well. Martin allowed me to take photos of him while he was practicing Buddhist chant. He uses meditation as a means to put himself in a good frame of mind to create. Martin has begun to paint butterflies on the canvas wall coverings in his meditation room, after we had a discussion that spirit is one symbolic meaning of butterflies. The day I photographed Martin he was in emotional turmoil, and it was amazing to watch the transforming power of his prayer. I thought this was a perfect metaphor for the Butterfly Effect drawing. The nautilus is a symbol for spirituality, and has 31 chambers while the Buddhist prayer beads have 30. It wasn't a conscious decision, but this piece for me has a strong relationship with hurricane Katrina.

Monday, September 7, 2009

"Madame Butterfly"



"He will call Butterfly from the distance
I without answering
Stay hidden
A little to tease him,
A little as to not die.
At the first meeting,
And then a little troubled
He will call, he will call
"Little one, dear wife
Blossom of orange""

~ Puccini


"Madame Butterfly" model, dancer Cori Kolasinski, daughter of an artist friend. Charcoal on Mylar drafting film, 24 x 20."

This is a "double sided" drawing, I drew on both sides of the translucent Mylar, and it will be hung in a frame between 2 sheets of glass. The piece is meant to be hung near a picture window in the gallery space, with daylight shining through the window during the day, and with spot lights after dark. There will be room behind the piece so that viewers will be able to view the work from either side. Kind of a quick loose drawing, because I wanted to show movement. I used the progressive setting on my camera to capture movement - I have hundreds of usable photos from the shoot. The res was a bit lower, but the captures were fairly clear. I'll definitely draw more from this shoot at a later date. The voluminous skirt Cori wore during the shoot appeared lit from within in the north light of the studio as she did pirouettes and arabesques. I believe this will provide drama with light showing through as the piece hangs in the gallery.

The main purpose was to have a piece that would be an example of the nature of my chosen surface. I also wanted to include a dancer in my "muse" series, what better theme than a dance version of the well known Puccini opera, "Madame Butterfly?"

Artistic video with music from the opera:

Tuesday, July 7, 2009

"Garden Poems" daily study





"Garden Poems" charcoal on mylar film, 9 1/2 x 7 1/2"

This piece was requested, along with a few other of my small works, for a group figurative show at Argosy Gallery, Bar Harbor, Maine, August 2009.

$500.00, contact the gallery for details.

Friday, June 26, 2009

"3 Graces" triptych




Charcoal on Mylar film, side pieces, 20 x 16" center piece, 30×20." From the "Black Butterfly: The Muse" series.

The 3 Graces: Aglaia (radiance) Euphrosyne (joy) Thalia (flowering) It was the poet Hesiod who named the Graces in his Theogony: "Then Eurynome, Ocean's fair daughter, bore to Zeus the three Graces, all fair-cheeked, Aglaia, Euphrosyne, and shapely Thalia; their alluring eyes glance from under their brows, and from their eyelids drips desire that unstrings the limbs."

From reference photos of San Francisco groupies, 1968 - 69, by Rolling Stone magazine photographer Baron Wolman.



3 Graces ~ section 1 ~ Aglaia (radiance): groupie Karen Seltenrich, San Francisco, Nov. 1968. Image was used in a New York Times article “When we tell you what a Groupie is, will you really understand?”



3 Graces ~ section 2 ~ Thalia (flowering): groupie Sally Mann, San Francisco, Nov. 1968. (No relation to the photographer of the same name) Sally married Jefferson Airplane's Spencer Dryden in 1970.



3 Graces ~ section 3 ~ Euphrosyne (joy): groupie “HARLOW”, San Francisco, Nov. 1969.

Here is a quote from Baron about the groupies:

"As concert promoter Bill Graham has given me all access to any of the concerts he produced, I spent quite a bit of time backstage with the bands, their roadies and their women. What fascinated me were the lengths to which the women, the groupies, went to prepare themselves for their backstage appearances. Because I also wanted an excuse to photograph them, I suggested to Jann they might make an interesting story. He agreed and Rolling Stone Magazine No. 27 became known as "the groupie issue." It was widely promoted, read and commented upon, even turned into a book." - Baron Wolman

I saw these photos in an old book picked up at a resale shop. I fell in love with the groupies, and Baron was so gracious to allow me to use them for the drawings. The feminine effect of the references are enhanced with the flowers and butterflies. I decided to draw Sally Mann, the subject of the centerpiece, holding the lilies, as she married soon after the photo was taken. The center piece is considerably larger than the side pieces, on these the flowers and butterflies are from a pattern I saw on scented drawer liner paper. It's all about peace & love & hippie-ness, baby. :)

While the rest of the models I've used in the series are in the arts themselves, I was intrigued with the idea of groupies - and their intrigue with rock & roll artists of the late 1960's. It seems to me they were using their own bodies and persona as an art form to attract their artistic "muses."

I guess you could consider some of the works in my Black Butterfly series "Cover Tunes." I believe the borrowed references are vital to the series to relate the idea of inspiration, and its relation to talent and celebrity. These "tunes" well deserve a stylish, honorable replay. Many thanks to the talented people who have loaned their vision of the muse to aid me in illustrating my ideas.

Tuesday, June 9, 2009

Daily Study: Whitman and Psyche







Study for a larger work, charcoal on mylar drafting film, with digital underlay of a Walt Whitman poem. Image size: 9 1/2 x 7". In vintage tabletop swing frame: 12 1/2 x 11" overall. Facsimile butterfly.

Another small work to be included in my "Black Butterfly: The Muse" solo show, which is scheduled to open on September 18th in Chicago. In the series, the butterfly is a symbol for the artist's muse, and all of the subjects I'm drawing are in the arts. I've been reading poetry recently, and am pleased to include Walt Whitman in the series.

"Whitman and the Butterfly
The reference photograph, taken in 1877, was one of Whitman's favorites. He used the butterfly-on-hand as a recurring motif in his books and intended for this photo to be reproduced as the frontispiece in this sample proof of Leaves of Grass from 1891. To foster the image of himself as one with nature, he claimed that insect was real and one of his "good friends." But a band visible around Whitman's finger matches the wire under the butterfly artifact (above). This colorful cardboard prop was tucked into one of the first Whitman notebooks donated to the Library in 1918. The word "Easter" is printed down its spine. Dr. Bucke, one of his literary heirs, said the butterfly was Psyche, the poet's soul."*


*source: “Good Gray Poet: Revising Himself”, http://www.loc.gov/exhibits/treasures/whitman-goodgraypoet.html

Thursday, May 28, 2009

“Le Papillon”



Small work, charcoal and white pastel on Mylar, 9×7”

This young French student artist wandered into my studio one evening during our open studio event. I liked her look and thought she would be a good model for my Black Butterfly series, so I asked if she would mind posing for a few photos. We had a fun visit, and she showed me her lovely Moleskine sketch journal and we also exchanged emails.

I took quite a few great photos of Melodie, so I most likely will do another small work or two from them. She was a delight. Also, I am happy to realize that “Melodie” is the Muse of Music.

These small studies present their own challenges. I like to complete them in one sitting and the scale is difficult for detail, but I feel that I did capture the subject's hopefulness and creativity in this small work.




Thursday, April 30, 2009

Mesmerized



From the Black Butterfly series, The subject is an artist in real life, and the butterfly in the crystal ball is representative of her muse, but this is open to interpretation. The narcissus flower in the frame is also symbolic of the subject looking into the mirror. Charcoal on mylar drafting film in vintage 1967 mirror frame. Image size 20×11” framed to 30×17”

Model, Myspace friend Lana Gentry, from a photo by Kristy Evans.

Lana is someone that is often the subject of art created by her friends and fans, and she is also a talented visionary artist in her own right. I thought Lana would make an appropriate model for my butterfly-as-muse series. Here she is (seen as muse of another Myspace friend, photographer Kristy) musing and mesmerized over her own butterfly-muse in the crystal ball.

Tuesday, April 7, 2009

Something In Layla



"Something In Layla" charcoal on mylar, 24 x 20"

The perfect “Black Butterfly muse” subject – Pattie (Boyd) Harrison/Clapton.

So, here’s my tribute to THE muse of the London music scene of the 60’s and 70’s. This time I’ve flipped my symbolism, the model is the muse and the butterflies represent the artists inspired by her. I used several references for this work, all were very low resolution, and I took great artistic liberty and removed a sheer vest Pattie was modeling. I hope she doesn’t mind ;) oops. The photo of her face was most likely from the period when she was torn between George Harrison and Eric Clapton.

According to Wikipedia :

Boyd started her modeling career in London in 1962. She modeled in London, New York and Paris (for Mary Quant and others). Boyd, who was nineteen in 1964, met Harrison during the filming for A Hard Day’s Night, after being cast as a schoolgirl fan for the film. Boyd married Harrison on 21 January 1966.

Boyd says she served as the inspiration for one of George Harrison’s most famous Beatles songs. Boyd maintains that Harrison told her that Something was written for her but after she left him, Harrison denied Boyd was his muse.

In the late 1960s, Clapton and Harrison became close friends, and began writing and recording music together. It was reported at this time that Clapton fell in love with Boyd. Harrison and Boyd split in June 1974, and Boyd married Clapton in 1979.

Boyd is said to also be the inspiration to Bell Bottom Blues which Clapton reportedly wrote after he gave her a pair of blue jeans. In her autobiography, she claims he gave her the pair of pants after returning from a trip to Miami. It appeared on the same album as Layla. “Layla” took its name from a Persian tale of unrequited love that Clapton had received from a friend.

In the true story of Layla, Majnun fell passionately in love with her at first sight. He went mad when her father prevented him from marrying her; for that reason he came to be called Majnun Layla, which means “Driven mad by Layla”. To him were attributed a variety of incredibly passionate romantic Arabic poems. It may be the basis for the story of Romeo and Juliet.

On September 7, 1976, Clapton wrote the famous love song Wonderful Tonight for Boyd while waiting for her to get ready to attend Paul and Linda McCartney’s annual Buddy Holly party. He also reportedly penned other tunes for her: “Pretty Blue Eyes”, “Golden Ring”, “Never Make You Cry” (from Behind the Sun) and “Pretty Girl” (from Money and Cigarettes).

Mick Jagger also made some plays on Boyd, but she rejected his advances. She did, however have a brief affair with Ronnie Wood after her break-up with Harrison. This was apparently some hot muse.

Clapton and Boyd divorced in 1989. Of “Wonderful Tonight,” Boyd would say: “For years it tore at me. To have inspired Eric, and George before him, to write such music was so flattering. Wonderful Tonight was the most poignant reminder of all that was good in our relationship, and when things went wrong it was torture to hear it. “An exhibition of photographs taken by Boyd during her days with Harrison and Clapton opened in San Francisco in 2005, titled, Through the Eye of a Muse. Her autobiography Wonderful Today: George Harrison, Eric Clapton, and Me, was published in England in August 2007 and in the U.S. (as Wonderful Tonight).


Derek and the Dominos

Wednesday, March 18, 2009

Daily Drawing: "The Transformation of Things"




From the Black Butterfly series. Portrait of DaHuang Zhou, charcoal on mylar drafting film with moonstone Canson backing paper, 18 x 18". From a reference photo by Steven E. Gross

I am a member of the 33 Collective Gallery located in the Zhou Brother's Art Center, Chicago. The Zhou Brothers have been generous to allow our co-op gallery to use the entire art center for our group show this month. The show opens Friday March 20th, 2009. The Zhou Brothers are always on hand at the center and are very supportive of the members of the gallery and of their artists in residence. I am fascinated with them, their persona, and their work and decided they would be perfect subjects to draw for my series, which always features creatives as models. DaHuang Zhou's older brother Shan Zuo was the subject for the companion piece, "I Dreamed I Was a Butterfly".

The butterfly is borrowed from a Chinese watercolor design, and the Chinese symbols stand for "passion-enthusiasm"

As noted in my earlier blogs, in this series the butterfly is symbolic of the artist's muse. The title of this work comes from the closing verse of this Chinese literature by Zhuangzi - [Chuang-Tse]

"One day about sunset, Zhuangzi dozed off and dreamed that he turned into a butterfly.
He flapped his wings and sure enough he was a butterfly...
What a joyful feeling as he fluttered about, he completely forgot that he was Zhuangzi.
Soon though, he realized that that proud butterfly was really Zhuangzi who dreamed he was a butterfly, or was it a butterfly who dreamed he was Zhuangzi!
Maybe Zhuangzi was the butterfly, and maybe the butterfly was Zhungzi? This is what is meant by the "transformation of things." - Zhuang Zi (369?-286? b.c.)


The Zhou brothers short biography:

The Zhou Brothers are one of the most accomplished contemporary artists in the world today renowned for their unique collaborative work process. They always work together on their paintings, performances, sculptures, and prints, often communicating without words in a so-called dream dialogue. Their thinking, aesthetic, and creativity are a symbiosis of Eastern and Western philosophy, art, and literature that informed their development since early childhood. Their indomitable spirit allowed them to leave behind their brilliant success in China, where they were hailed as national heroes for their early work, to step onto the world stage. They have since achieved international acclaim while continuing to work in the West.

The Zhou Brothers, Shan Zuo and DaHuang Zhou, were born in China 1952 and 1957 respectively. They studied drama and painting at the University of Shanghai from 1978 to 1982 and the National Academy for Arts and Crafts in Beijing from 1983 to 1984 where they received their MFAs. During the beginning of the 1980s they became leaders of the contemporary art movement in China. In 1985 they won the National Prize of the Chinese Avant-Garde of the Ministry of Culture and the Prize for Creativity from the Peace Corps of the United Nations. They were also honored as the first contemporary artists ever to show their work in an exhibition that traveled to the five largest museums in China, including the National Art Museum of China in Beijing and the art museums in Shanghai and Nanjing.

Realizing that the political and cultural landscape at that time would not allow them to expand their careers, an invitation to exhibit in Chicago in 1986 presented a timely opportunity to make the transition onto an international stage. The Zhou Brothers have consequently maintained their home and studios in Chicago while actively exhibiting their work nationally and abroad."

See previous blog for a video of the Zhou Brothers.

Tuesday, March 17, 2009

Daily Drawing: "I Dreamed I Was a Butterfly"




From the Black Butterfly series. Portrait of Shan Zuo Zhou, charcoal and white pastel on mylar drafting film with blue-gray Canson backing paper, 16 x 16". From a reference photo by Steven E. Gross.

I am a member of the 33 Collective Gallery located in the Zhou Brother's Art Center, Chicago. The Zhou Brothers have been generous to allow our co-op gallery to use the entire art center for our group show this month. The show opens Friday March 20th, 2009. The Zhou Brothers are always on hand at the center and are very supportive of the members of the gallery and of their artists in residence. I am fascinated with them, their persona, and their work and decided they would be perfect subjects to draw for my series, which always features creatives as models. Brother #2, DaHuang Zhou will be tomorrow's subject for Daily Drawing.

The butterfly is borrowed from a Chinese watercolor design, and the Chinese symbols stand for "inspired-dream-vision-revelation"

As noted in my earlier blogs, in this series the butterfly is symbolic of the artist's muse. The title of this work comes from Chinese literature by Zhuangzi - [Chuang-Tse]

"One day about sunset, Zhuangzi dozed off and dreamed that he turned into a butterfly.
He flapped his wings and sure enough he was a butterfly...
What a joyful feeling as he fluttered about, he completely forgot that he was Zhuangzi.
Soon though, he realized that that proud butterfly was really Zhuangzi who dreamed he was a butterfly, or was it a butterfly who dreamed he was Zhuangzi!
Maybe Zhuangzi was the butterfly, and maybe the butterfly was Zhungzi? This is what is meant by the "transformation of things." - Zhuang Zi (369?-286? b.c.)


The Zhou brothers short biography:

The Zhou Brothers are one of the most accomplished contemporary artists in the world today renowned for their unique collaborative work process. They always work together on their paintings, performances, sculptures, and prints, often communicating without words in a so-called dream dialogue. Their thinking, aesthetic, and creativity are a symbiosis of Eastern and Western philosophy, art, and literature that informed their development since early childhood. Their indomitable spirit allowed them to leave behind their brilliant success in China, where they were hailed as national heroes for their early work, to step onto the world stage. They have since achieved international acclaim while continuing to work in the West.

The Zhou Brothers, Shan Zuo and DaHuang Zhou, were born in China 1952 and 1957 respectively. They studied drama and painting at the University of Shanghai from 1978 to 1982 and the National Academy for Arts and Crafts in Beijing from 1983 to 1984 where they received their MFAs. During the beginning of the 1980s they became leaders of the contemporary art movement in China. In 1985 they won the National Prize of the Chinese Avant-Garde of the Ministry of Culture and the Prize for Creativity from the Peace Corps of the United Nations. They were also honored as the first contemporary artists ever to show their work in an exhibition that traveled to the five largest museums in China, including the National Art Museum of China in Beijing and the art museums in Shanghai and Nanjing.

Realizing that the political and cultural landscape at that time would not allow them to expand their careers, an invitation to exhibit in Chicago in 1986 presented a timely opportunity to make the transition onto an international stage. The Zhou Brothers have consequently maintained their home and studios in Chicago while actively exhibiting their work nationally and abroad."

Friday, March 13, 2009

"Allegory of Inspiration": new work









"Allegory of Inspiration"
From the Black Butterfly series. Charcoal on mylar drafting film with white illustration board underlay, 24×30”.

I started this 4 years ago, intending it to be an ink and watercolor wash
piece. I never got up the nerve to finish it – it is quite large and I
wasn’t very comfortable with watercolor. The references I used were
photos of myself and my husband in our early 20’s.

Symbolism:

My husband is a musician, and the butterflies in the series are
representative of the artist’s muse. All of the models for this series
are artists from various disciplines (actress Marilyn Monroe is
Aphrodite in one work).

In this piece, the lilies and the intertwining branches are taken from works by Leonardo Da Vinci. The lily is also a meaningful to me because of our sir name of White and it's meanings of peace and annunciation. The Celtic elements of triple spirals and knot work are symbolic of our three children, my Irish heritage, our intertwined lives and inspirations, and are also appropriate as a reminder of our journey to
Ireland this past year.I believe this piece was just waiting for this time in my career to be finished. I’m glad I waited. Funny I looked at it several times in my flat file over the years, and put it away. This time I saw it when I was pulling out some
mylar for another piece – and all other ideas fell to the wayside
because I just HAD to do this NOW, plus butterflies. It was drawn on
the illustration board I was planning to paint over, so that became the
backing for the mylar, and I could see the under-drawing right through,
no transferring necessary.

I've always liked symbolism in art and have used it often in the past. I think this will be a new direction for me. I was getting a bit bored with straight realism.

Wednesday, March 4, 2009

Daily Drawing: Spread Your Wings

The next few Daily Drawings will be for the Black Butterfly series, as I have a show upcoming and I need to produce a few more pieces. I like these small works displayed in vintage table top frames. In the gallery they can be displayed on a pedestal as a sculpture would be. Todays piece is my smallest ever, the head of the figure is only 1 inch in height. That means it's not possible to get much detail. I am pleased with the rough effect that creates.



"Spread Your Wings" 6.5" x 4.5", 9 x 9" overall, framed. Charcoal and white pastel on myar drafting film, $150.00

Monday, March 2, 2009

Daily Drawing: Summertime in England

So, I laid in a supply of vintage frames and have decided to start a daily drawing series to compliment my Black Butterfly series of larger works. I hope to create something new nearly every day and post it here.


"Summertime in England" framed in signature vintage frame. 12 x 9" overall. Available for purchase at Argosy Gallery, Bar Harbor, Maine $500.00



"Summertime in England" from the Black Butterfly series, charcoal and white pastel on mylar drafting film with moonstone Canson backing paper. 10 x 8"

Tuesday, December 2, 2008

Daily Drawing: Ink and Wash Butterfly studies #2

I made 3 of these mid sized butterfly studies today. Pen and ink drawing with a wash of oil paint.






Butterfly studies: ink and oil wash on Kitty Wallis sanded pastel paper, 7 x 5". Available for purchase at $100.00 each, framed

Monday, December 1, 2008

Daily Drawing: Butterfly studies

I made 3 of these small butterfly studies today.






Ink and oil wash on Kitty Wallis sanded pastel paper. 6 x 4"available for purchase at $75 each, framed

Sunday, October 5, 2008

Daily Drawing: "Summer's Muse"

This piece has been sold.

I liked this small frame and decided to use it for another of my Black Butterfly pieces. I think the style of the drawing resembles an old sepia photo somewhat and so suits the vintage fame. The butterfly is symbolic for the artist's muse. Since this is a self-portrait, I decided to incorporate the Celtic knotwork, from my heritage.


"Summer's Muse" charcoal and white pastel on mylar drafting film with Canson moonstone backing paper, 11 x 9" framed in vintage tabletop swing style frame. $300.00 SOLD!



"Summer's Muse" in vintage swing desktop frame.

Tuesday, September 23, 2008

On Finding an Irish Peacock Butterfly on Croagh Patrick



An Irish Peacock Butterfly, photo taken on Croagh Patrick, County Mayo Ireland (c) Alice McMahon White September 2008


Written today in about two hours, after waking with a head full of words. Please forgive the rawness, and the serious tone of this piece. The butterfly should teach lightheartedness and joy, and it did. The powerful and ethereal experience of the butterfly encounter two weeks ago in Ireland only took a moment, but changed my outlook on everything. So, I think it deserves a bit of weight in the telling. :-)

Feileacan na Péacóige

On Finding an Irish Peacock Butterfly on Croagh Patrick

(for Steve)


A fourth journey to Erin

My love as guide

Threading the needle of existence

Grace found

On Maigh Eo's ancient sacred mountain of Celt and Christian


Rough stone path of pilgrim hardship

Nature turning tides at our feet

Stark splendor

Set soul and spirit free

Sun

Moon

Fire

Lightening

Wind

Sea

Earth

Rock


On ascent in the mystical place

Overhead, a breathtaking

Breathing

Scarlet - violet rainbow

Seasons of impending joy announced by

Frail and fragile fairy dust wings

Psyche

Begging a dance


She pauses to drive the thought home

Perfectly still

Beauty

Sits for a time

Why?

To meditate on sun warmed rock -

The creature's only embrace?

Or simply trusting

Accepting in faith

The spirit capture


On descent

Changed

As travel inevitably will

Filled up and overflowing

To contemplate

Our dream awake muse

Celebration of coming home

Unknowing

New life unfurling

We pause to warm ourselves

In a lover's embrace

On stone

In brilliant sun

Breaking through cloud


(c) Alice McMahon White 2008